The Carrion Fairy
Dahlias, monsters, and dead things.
The Carrion Fairy
"For beauty is nothing
but the beginning of terror, which we still are just able to endure,
and we are are so awed because it serenely disdains
to annihilate us. Every angel is terrifying."
Rainer Maria Rilke, Duino Elegies, trans. Stephen Mitchell (via proustitute)
"In fact this ground
is steeped in history
they find corpses
every time they dig"
W. G. Sebald, from “Calm November Weather” in Across the Land and the Water (via proustitute)
"There is poetry as soon as we realize that we possess nothing."
John Cage (via proustitute)
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artchipel:

Tumblr Artist
Shannon Stamey aka October illustrations | on Tumblr (USA)
Born in a rural town outside of Charlotte, North Carolina, Shannon Stamey, the owner of October illustrations, was awed by his surroundings, explaining the heavy prevalence of celestial and natural bodies in his work. A morbid romantic, his pieces delight in a whimsical way, yet teeter into sardonity. Comforting in their often-nightmarish view, the works speak to children of all ages. Receiving no formal training, he has taught himself through the careful study of artists Thomas Wilmer Dewing, Maxfield Parrish, Arthur Rackham, Stephen Gammell, and the more contemporary visionary of Maurice Sendak, Tim Burton and Gris Grimly. A large portion of his work focuses on the charm of turn-of-the-pencils and oil on paper, an appreciation for a more antiquated time is seen not only in his subject, but also in the finish given to the work… done with decking and often times staining. Please visit  Shannon’s website or follow his Tumblr for more work.
[more Shannon Stamey aka October illustrations]
artchipel:

Tumblr Artist
Shannon Stamey aka October illustrations | on Tumblr (USA)
Born in a rural town outside of Charlotte, North Carolina, Shannon Stamey, the owner of October illustrations, was awed by his surroundings, explaining the heavy prevalence of celestial and natural bodies in his work. A morbid romantic, his pieces delight in a whimsical way, yet teeter into sardonity. Comforting in their often-nightmarish view, the works speak to children of all ages. Receiving no formal training, he has taught himself through the careful study of artists Thomas Wilmer Dewing, Maxfield Parrish, Arthur Rackham, Stephen Gammell, and the more contemporary visionary of Maurice Sendak, Tim Burton and Gris Grimly. A large portion of his work focuses on the charm of turn-of-the-pencils and oil on paper, an appreciation for a more antiquated time is seen not only in his subject, but also in the finish given to the work… done with decking and often times staining. Please visit  Shannon’s website or follow his Tumblr for more work.
[more Shannon Stamey aka October illustrations]
artchipel:

Tumblr Artist
Shannon Stamey aka October illustrations | on Tumblr (USA)
Born in a rural town outside of Charlotte, North Carolina, Shannon Stamey, the owner of October illustrations, was awed by his surroundings, explaining the heavy prevalence of celestial and natural bodies in his work. A morbid romantic, his pieces delight in a whimsical way, yet teeter into sardonity. Comforting in their often-nightmarish view, the works speak to children of all ages. Receiving no formal training, he has taught himself through the careful study of artists Thomas Wilmer Dewing, Maxfield Parrish, Arthur Rackham, Stephen Gammell, and the more contemporary visionary of Maurice Sendak, Tim Burton and Gris Grimly. A large portion of his work focuses on the charm of turn-of-the-pencils and oil on paper, an appreciation for a more antiquated time is seen not only in his subject, but also in the finish given to the work… done with decking and often times staining. Please visit  Shannon’s website or follow his Tumblr for more work.
[more Shannon Stamey aka October illustrations]
artchipel:

Tumblr Artist
Shannon Stamey aka October illustrations | on Tumblr (USA)
Born in a rural town outside of Charlotte, North Carolina, Shannon Stamey, the owner of October illustrations, was awed by his surroundings, explaining the heavy prevalence of celestial and natural bodies in his work. A morbid romantic, his pieces delight in a whimsical way, yet teeter into sardonity. Comforting in their often-nightmarish view, the works speak to children of all ages. Receiving no formal training, he has taught himself through the careful study of artists Thomas Wilmer Dewing, Maxfield Parrish, Arthur Rackham, Stephen Gammell, and the more contemporary visionary of Maurice Sendak, Tim Burton and Gris Grimly. A large portion of his work focuses on the charm of turn-of-the-pencils and oil on paper, an appreciation for a more antiquated time is seen not only in his subject, but also in the finish given to the work… done with decking and often times staining. Please visit  Shannon’s website or follow his Tumblr for more work.
[more Shannon Stamey aka October illustrations]
darksilenceinsuburbia:

Donya Todd. 

Tumblr
darksilenceinsuburbia:

Vanessa Foley. Blue Bird. Acrylic on canvas.

and here
darksilenceinsuburbia:

Laura Ball. Progression, 2012. Watercolor and graphite on paper, 40 x 26”.
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doloresdepalabra:

Guilt
“The root of suffering has a noble purpose: the evolution of consciousness, the devolution of form, and the disintegration of ego”. 
Acrylic on wood panel, 70 x 70 x 3 cm, 2012.
Taylor White
doloresdepalabra:

Guilt
“The root of suffering has a noble purpose: the evolution of consciousness, the devolution of form, and the disintegration of ego”. 
Acrylic on wood panel, 70 x 70 x 3 cm, 2012.
Taylor White
doloresdepalabra:

Guilt
“The root of suffering has a noble purpose: the evolution of consciousness, the devolution of form, and the disintegration of ego”. 
Acrylic on wood panel, 70 x 70 x 3 cm, 2012.
Taylor White
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ryandonato:

Kate MccGwire
ryandonato:

Kate MccGwire
ryandonato:

Kate MccGwire
ryandonato:

Kate MccGwire